Resources

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As part of the BAR initiative, we are launching a set of resources aimed to help share information and opportunities among the global artists’ book community. These include:

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vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

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vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

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vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as

Headline

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

Headline

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

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Upcoming Programs

A Book in the Poetry Section

A Book in the Poetry Section

Caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

A book in the poetry section

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

Headline

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as

For Sale

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vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted

Headline

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted I recognized its design. The white spine of Claudia Rankine’s Citizen: An American Lyric (2014) stood out from the shelf. I knew the book well, but I picked up this copy up anyway. The cover’s smoothness felt familiar, as

Headline

vid-19 pandemic began. A book in the poetry section caught my eye because I recognized its design. The white spine of Claudia way. The cover’s smoothness felt familiar, as did the book’s heft, an effect of its 182 pages being printed on matte coated paper. David Hammons’s iconic sculpture In the Hood (1993) greeted